His wish was granted between 1627 and 1628, when the renowned and lavish collection of the Gonzaga dukes of Mantua came up for sale. 6th St and Constitution Ave NW His eye was caught by a picture catalogued as "After Van Dyck, Portrait of Olivia Porter". Henrietta was a loving mother to Fred (Debbie), Cathy, David (Kim), Mike (Peggy) and Jeff. (14), 284, (2). Enter or exit from Constitution Avenue or Madison Drive. is a BBC One documentary television series which examines the provenance and attribution of notable artworks. Fiona Bruce stunned by 'lost' Gainsborough painting twist", "Philip Mould: Fake or Fortune? The possible attribution to Van Dyck was considered for both of these works. ; pintura de Anthony van Dyck; pentrao de Antoon van Dyck; taolenn gant Antoon van Dyck; pintura di Anthony van Dyck; Portrait of Queen Henrietta Maria (1609-1669), three-quarter-length, in a white satin dress with lace cuffs and pearl ornaments, wearing a jewel encrusted crown, a landscape beyond, painting by Sir Anthony van Dyck, expanded and overpainted in the 17th century, restored and extra canvas removed in 2012, Restored portrait of Queen Henrietta Maria as St Catherine, Anthony van Dyck studio - Henrietta Maria as St. Catherine 2021 CKS 20054 0146.jpg, Attributed to Van Dyck - Queen Henrietta Maria as St Catherine.jpg, https://commons.wikimedia.org/w/index.php?title=Category:Restored_portrait_of_Queen_Henrietta_Maria_as_St_Catherine&oldid=431121241, Creative Commons Attribution-ShareAlike License. A leading old masters specialist has surprised the art world by identifying three previously overlooked paintings by the 17th-century artist Anthony van Dyck. The bill of sale from Knoedler to the Kress Foundation is dated 5 September 1952 and marked paid September 18 (copy in NGA curatorial files, see also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/1751). Upon her return to England she briefly lived in the Queen's House from 1662-1663 . John Ashburnham, 2nd Earl of Ashburnham (1724-1812), Ashburnham Place, Sussex (listed in his 1760 Catalogue recording the purchases from 1754-1786); 'Ashburnham Place, Sussex: A seat of the Earl of Ashburnham', in, https://collection.sdmart.org/objects-1/info/1025, https://www.sammlung.pinakothek.de/en/artwork/2mxqZXkL8b/. They also tracked down previous owners, including John Smith, a noted 19th-century connoisseur-dealer, who had detailed the picture, down to the colour of the dress, and noted its sale by Christie's in 1835 for 169 guineas. A counterpart to van Dyck's portrait of Princess Mary Henrietta (below, at #2), this portrait of the girl's older brother, 11-year-old Prince Charles II sold at Sotheby's in February 2018 . [71] The record audience for the series was on 12 July 2015 with a peak attendance of 5.8million viewers (episode 4.2 "Renoir"). Enter or exit at 4th Street. By United Service Institution of India, page 23, Last edited on 26 February 2023, at 11:54, "Fake or Fortune? Since the first series aired in 2011, Fake or Fortune? After the assassination of Buckingham in 1628, the king seems genuinely to have fallen in love with his young bride. So unusual was it to see scars depicted in such a way during the period, the burn marks were later disguised by overpaint out of Victorian modesty. Oh, and it is our first three dimensional work of art (in 27 programmes). "You have to look casually and pretend to be interested in a few other duds," Grosvenor said. He was the son of the scholar-king, Peter Paul Rubens, George Villiers, 1st duke of Buckingham, 1620s, oil on canvas, 60.9 x 47.3 cm (Glasgow Museums, Pollok House), There was also the tutelage of the dashing and dangerous George Villiers, 1st duke of Buckingham, James VI and Is favorite (and most likely lover), a savvy collector of art who favored Italian painters, most especially the Venetian artist Titian. He possessed a ready wit and became one of the queen's trusted advisors, even joining her in exile in France in the early years of the English Civil Wars (16421651). But Mould won. Van Dyck portrayed her dressed for the hunt in a brilliant blue satin riding costume with a delicate lace collar instead of the stiff and formal Elizabethan ruff still widely in use. 1sts Queen, by Vandyck.". In France, the team discover that the painting is of the Fountain of Saint-Paul in Saint-Paul-de-Vence. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. Finding myself with some spare time for once last weekend, having exhausted the scores of titles on Netflix, I decided to browse BBC iPlayer (tragic!) We are all Climate Deniers: What if we werent? Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded. An Illustrated Descriptive and Historic Account of the Collection of the Earl of Northbrook, G.C.S.I., Lord Ronald Gower, ed., London, 1885: 29, and J. Weale and J.P. Richter, A Descriptive Catalogue of the Collection of Pictures Belonging to the Earl of Northbrook, London, 1889: 92. Shop the collection NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE. White fabric covers the front of her bodice under a tall, wide, stiff, lacy white collar that extends from her chin to her shoulders. A Christie's spokesman said: "Attributions can and do change over time. Full-length portraits, standing, full face, the Queen is wearing a large black hat and deep blue silk dress. Major C. E. Gubbins of the 3rd Hyderabad Cavalry Journal of the United Service Institution of India, Volumes 16-18 On a ledge to our left of the woman, a miniature orange tree grows in a pot. A number of works of art were recovered after the restoration of his son, Charles II, to the throne, in 1660. Over ten years van Dyck painted many royal portraits for Charles I and his wife Henrietta Maria. series 3 - Art History News", "Fake or Fortune? 1 Studio versions are found in the Fine Arts Gallery in San Diego, 1 and the Alte Pinakothek, Munich. A child prodigy, Van Dyck began painting at just 10 years old. The jewels in the crown of the collection were without question Titians eleven half-length portraits of Roman emperors (153640; destroyed by fire in 1734), which were inspired by the Roman historian Suetoniuss Lives of the Caesars, and the nine canvases of Italian renaissance painter Andrea Mantegnas. Like the first painting, it was covered in dirt and discoloured varnish. Est. The Met Collection API is where all makers, creators, researchers, and dreamers can now connect to the most up-to-date data and images for more than 470,000 artworks in The Met collection. The team try to discover how the sculpture was acquired by the current owner's family, and although some promising leads are followed, there is no clear trail of evidence linking the piece to Giacometti himself. [8] The sale was stopped by Hearst after some months and lots not sold were returned to his possession. Henrietta Maria (16091669), the queen consort of Charles I of England, was born in the Louvre and was named after both of her parents, Henry IV of France (15531610) and Marie de Medici (15731642). The inventories cited below are in the collection of the Weston Park Foundation, near Shifnal, in Shropshire, England. [3][4] Philip Mould owned a portrait of Queen Henrietta Maria in a blue dress. Roman letter, little Italic; engraved title with putti and Jesuit monogram and two detailed plates, all by Philip Sadeler, one decorative tail-piece including Christ s face; very lightly dust-soiled. The portrait of Queen Henrietta Maria, as St. Catherine of Alexandria was painted by van Dyck around 1639. 67, which in turn is based on Northbrook Gallery. [60] The ninth series, comprising four episodes, began on 26 July 2021. Sep 29, 2019 - Henrietta Maria by Van Dyck studio (Philip Mould). Philip Mould visits David Coombs, a leading expert on the art of Churchill, who is unconvinced by the painting on account of the unfamiliarly well painted figures. It's a risky business, but . Public domain data for this object can also be accessed using the Met's Open Access API. 0:01:56: 0:02:01: . The portrait featured in the BBC TV programme, Fake or Fortune?. They were shown to internationally renowned experts and museum curators before they were offered at auction. This had been sold at Christie's on 24 January 2012. [2] An inventory of paintings belonging to Lady Torrington at her house in Twickenham and dated 9 November 1719, lists "In the HallWhole lengthsKing Charles the first's Queen, by Vandyke." 3, p. 95, no. [43], Saint Amelia, Queen of Hungary by Delaroche, The sixth series started on 20 August 2017. "[73], Benji Wilson, writing for The Daily Telegraph, described the programme, then in its ninth series, as "the art world's answer to Line of Duty". Will Will Still still continue his incredible run? Asked how one of the world's leading auction houses could have overlooked two works by the Flemish master, Mould told the Observer: "Perhaps Christie's didn't have sufficient time to research these pictures. Search by Category. The studying of pentimenti has even been used in cases such as with the (contested) attribution of the Salvator Mundi to da Vinci, which famously sold for $450 million in 2017. Only a few years . Lowry", "A Mystery Old Master, Series 4, Fake or Fortune? [61], A print of Time of War (1901) by Edwin Landseer, Second preparatory sketch for The Last Supper (1786) by Benjamin West (before restoration), Describing the outcome of the first episode of series one as a "scandal", Sam Wollaston writing for The Guardian found the programme "incredibly interesting" and praised it "for being about just one case in which you can become totally involved, instead of flitting between three, which is what so many documentaries seem to do". Photograph: Philip Mould Ltd, Public Catalogue Foundation's work in photographing all oil paintings. Historical Portraits Picture Library (select convert(int,CHAR(65))) Search by Artist. In stark contrast to Buckingham, there was the figure of the austere and high-minded Thomas Howard, 14th earl of Arundel, who did much to foster Charless enthusiasm for and taste in Italian art, though at a distance. We continue to research and examine historical and cultural context for objects in The Met collection. Therefore, the canvas itself can be a very useful tool in discovering details of a pictures creation, or of those which might have been intended to be hidden by the artist themselves. Mould, who will present a BBC1 series, Fake or Fortune, from June 19, plans to reveal some of his art sleuth secrets, such as how to "read" through dirt and discoloured varnish, and showing "the risks, the science and the processes" involved in searching for unidentified old masters. The visit was intended to negotiate for the hand of the Spanish Infanta Maria Anna (sister of Philip IV) to help cement peace between the Catholics and Protestants. The fluted column emphasizes her already exaggerated height, and the crown and cloth of gold emphasize her royalty. [1] Since the first series aired in 2011, Fake or Fortune? The programme airs on ABC in Australia. [5] By terms of the Countess of Mountrath's will, the contents of her house in Grosvenor Square, London, were left first to Caroline, Lady Milton, and after Caroline's death were to be divided among Caroline's children. Buy "Anthony van Dyck - Portrait of Queen Henrietta Maria, as St Catherine (c.1649) in Philip Mould collection" by brand1st as a Art Print Make 2023 the year to let that wonderful you-ness shine. Titian, Jupiter and Antiope (The Pardo Venus), 153540, reworked c. 1560, oil on canvas, 196 x 385 cm (Muse du Louvre). The team, assisted by art historian Bendor Grosvenor in series 1 to 5, and professor Aviva Burnstock, Head of the Department of Conservation and Technology at The Courtauld Institute of Art, in later series,[6] investigate the paintings on a number of fronts: establishing the provenance of the piece by working backwards from present day to the time of the work's creation; on a forensic level, with investigation and scientific tests on the materials used to help establish specific time frames; and examining the unique painting styles and quirks of the artist. (See Ms. Goodsir's 2009 e-mails of June 29, July 7, and July 29, and the e-mail from Gareth J.L. Since that piece's whereabouts are currently unknown, it is possible that the sculpture in this episode is the one that was initially owned by Woods. Her religious convictions, coupled with Lord Buckinghams attempts to turn Charles against her made relations with her husband increasingly uncomfortable until Buckinghams death and their subsequent reconciliation in 1628. television show", "Philip Mould on Twitter: So, this week's #fakeorfortune was designed to go out last year but there were research and authentication issues which meant we were not ready to go. Anthony van Dyck (1599-1641) Charles I and Henrietta Maria Holding a Laurel Wreath, 1632. presenters 'in dispute' over new BBC show". The 4th and 7th Street entrances are exit-only. This page was last edited on 5 July 2020, at 17:40. Answering the programme's call for works of art other than paintings, Philip and Fiona investigate a plaster sculpture that appears to be of Tte qui regarde (French for 'Gazing Head'), an early work by Alberto Giacometti. Pentimenti (plural) can be seen in a number of works by world-famous artists such as Picasso and Van Eyck. He explained a friend had suggested it might be by the Italian surrealist Giorgio de Chirico, and that he had submitted it at the time to the de Chirico foundation in Rome but had had it rejected. In Van Dycks portrait, the pregnant queen of England cradles her arms over her abdomen while standing next to a crown that advertises her rank. Learn how and when to remove this template message, http://artsalesindex.artinfo.com/asi/lots/132287, Saint Ambrose barring Theodosius from Milan Cathedral, Thetis Receiving the Weapons of Achilles from Hephaestus, Portrait of Queen Henrietta Maria, as St Catherine, Lord John Stuart and his Brother, Lord Bernard Stuart, https://en.wikipedia.org/w/index.php?title=Portrait_of_Queen_Henrietta_Maria,_as_St_Catherine&oldid=1138679820, Articles needing cleanup from August 2022, Articles with bare URLs for citations from August 2022, All articles with bare URLs for citations, Articles covered by WikiProject Wikify from August 2022, All articles covered by WikiProject Wikify, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 11 February 2023, at 00:23. 5A, p. 54, no. The lot is sold in the condition it is in at the time of sale. Most exciting was the fact that the new series debut episode delved into the archives of the Bodleian library: having examined their picture archives, Grosvenor selected a painting which he believed to be a forgotten work by Pompeo Batoni, an artist renowned for his understanding of and attention to technical detail, as well as his ability to capture quite remarkably the character of his sitters (many of whom were young aristocratic men exploring Rome as part of their Grand Tour following University). Philip Mould | Historical Portraits | Portrait of Henrietta Maria | Studio of Sir Anthony Van Dyck | Item Details For Philip Mould Fine Paintings please go to www.philipmould.com to see works of art for sale Powered by GalleryinaBox Historical Portraits Picture Library (select convert (int,CHAR (65))) [45] It was originally planned to have four episodes before one, "Giacometti", was postponed.[46]. Married by proxy in May 1625, she landed in England the following month and began her life as Queen of England at the age of sixteen. 1633. Aside from being a fascinating insight into the working mind of the artist, pentimenti are an important means by which to determine whether or not an artwork is: a) the first version by an artist; b) a second version by the same artist; c) a copy by the artists workshop; d) an entirely separate copy of the original work, by an unassociated artist. Only in 2012, Philip Mould a renowned art dealer (who previously employed Grosvenor) purchased a painting from Christies depicting Queen Henrietta Maria, after Van Dyck. 3 (Winter, 2021), Frans Francken the Younger, from "The Iconography". A head study by Van Dyck discovered on The Antiques Roadshow, and which was originally bought by a priest in an antiques shop in Nantwich for 400, will be sold this summer by Christie's. The estimate will be 400,000-500,000. was the six-month stay, in 1623, alongside his confidant, Buckingham, at the court of the Spanish Habsburg king, Philip IV, in Madrid, a court renowned for its rigid formality and complicated . With the exception of the Romanelli painted for Cardinal Antonio Barberini, the following copies presumably were based on a replica that remained in England: This work may not be lent, by terms of its acquisition by The Metropolitan Museum of Art. 41 5/8 33 1/4 in. The revised early provenance given here relies on the work of Sally Goodsir, who researched the history of the paintings collection at Weston Park, the former country home of the Earls of Bradford, and who kindly shared her research with the Gallery. is the art world's answer to Line of Duty", "Fake or Fortune - North American Premiere November 2 on TVO", https://en.wikipedia.org/w/index.php?title=Fake_or_Fortune%3F&oldid=1141711310, The team investigate two paintings from the, The team members investigate a painting of the, As a first for the programme, the team focuses on more than just one work. Henrietta Maria commissioned this painting as a gift for Cardinal Francesco Barberini, who viewed the devout French-born queen as a critical collaborator in his dream of regaining England for the Catholic Church. Each series first aired on BBC One, except for series 3, which was shown mistakenly on SVT in Sweden before being broadcast in the UK.[5]. Sculpture Garden
Portrait of Queen Henrietta Maria, as St Catherine; Henriette Marie de France; Portret van Henrietta Maria de Bourbon (1609-1669), koningin van Engeland, als de H. Catharina; dipinto di Antoon van Dyck; Anthony Van Dyck festmnye; pintura de Antoon van Dijck; quadre d'Anton van Dyck; Gemlde von Anthonis van Dyck; pintura de Antoon van Dyck; painting by Anthony van Dyck; maleri af Antoon van Dyck; pictur de Antoon van Dyck; obraz Antoon van Dyck; maleri av Anthonis van Dyck; mlning av Anthonis van Dyck; mleri av Anthonis van Dyck; pintura d'Antoon van Dyck; schilderij van Anthony van Dyck; cuadro de Anton van Dyck; pikturo da Antoon van Dyck; painting by Sir Anthony van Dyck, expanded and overpainted in the 17th century, restored and extra canvas removed in 2012; peinture de Anthony van Dyck, coll. Days later, his restorer removed dirt and varnish, revealing subtler brush strokes and colours, especially around the eyes. Day 1 of prog 2, series 5 - due out this summer. Thomas Newport had inherited Newport House in Twickenham in 1708 on the death of his father, Francis Newport, 1st earl of Bradford (1619-1708). Despite layers of dirt, it was "still possible to see that we were dealing with a painting of potentially the very highest quality", said Mould. Philip Jonathan Clifford Mould OBE (born March 1960) is an English art dealer, London gallery owner, art historian, writer and broadcaster. Britains Lost Masterpieces, now in its fourth series, offers a fascinating insight into the investigative practises which underpin the glamour of world-class galleries and the familiarity of famous sitters. - The Lost Gainsborough - Media Centre", "Fake or Fortune: 'What a mess!' MULTI MILLION POUND VAN DYCK DISCOVERY TO STAR IN PHILIP MOULD'S NEW ART EXHIBITION . Mould's research identified it as the head of St Joseph for a lost painting of the holy family, known from a version by the master and his studio assistants in the Manchester Museum. An X-ray suggested that Mould's portrait contained a smaller original which had been enlarged and over painted in the 18th century. was created by art dealer and historian Philip Mould, together with producer Simon Shaw. From their Web site; increased exposure. While this opened up a potential path from Italy to Britain, there was no evidence. The great Dutch artist, who was court painter to British monarchs depicted husband Charles I in the form of the Catholic St. Catherine of Alexandria. His red suit has long sleeves, and the coat is buttoned down the front. [40][7], Filming for the fifth series started on 24 November 2015. Philip had sold another picture of Henrietta Maria where she's looking the same way. recently discovered by Philip Mould Ltd and taken while the Queen was beginning her long period of exile in Paris, is perhaps the most faithful likeness of her in later life. As part of, Anthony van Dyck (Flemish, Antwerp 15991641 London), After Anthony van Dyck (Flemish, Antwerp 15991641 London). Most noticeably Van Dyck admired the dramatic works of Titian. Oil painting on canvas, Queen Henrietta Maria (1609-1669) and Sir Jeffrey Hudson (1619-1682) (after Van Dyck) by Charles Jervas (Dublin 1675 - London 1739). [1] The early provenance for the painting as published in the Gallery's 2005 systematic catalogue, Flemish Paintings of the Seventeenth Century, by Arthur K. Wheelock, Jr., incorrectly traced the ownership from Richard Newport, 2nd earl of Bradford (1644-1723) through his heirs. Art objects can undergo forensic scientific inquiry, which may "provide valuable information visible only to sophisticated analytical tools such as electron microscopes." 68 To illustrate, the art dealer and "sleeper sleuth" Philip Mould bought the painting "Portrait of Queen Henrietta Maria" for 8,750, including the buyer's . An admirer of continental European cultures, Arundel was one of the richest aristocrats in England; some 600 paintings, including 37 works by Titian, were accounted for at the earls death. 4th St and Constitution Ave NW Philip Mould Ltd, 18-19 Pall Mall, London, SW1Y 5LU. Portrait of Queen Henrietta Maria, as St Catherine is a painting by Sir Anthony van Dyck. Works for Sale at Philip Mould Ltd. Search by Sitter : 17th Century: Search by Sitter : 17th Century . If you have comments or questions about this object record, please complete and submit this form. At the age of fifteen she was married to the king of England. The woman stands at the center of the composition with her body angled to our left, but she looks at us from the corners of her brown eyes. This image is in the public domain. Note: Series 7 was broadcast at the same time that BARB changed their ratings system, the ratings have been sourced as follows: Episodes 1-3 are 28 day figures from BARB's old system. Before restoration was carried out, the painting was visibly of a high quality, although marred by discoloured layers of old varnish and a hint of Victorian overpaint (paint which has been added at a later date during conservation). He owned, for example, Titians stunning, Titian, Ecce Homo, 1543, oil on canvas, 242 cm x 361 cm (Kunsthistoriches Museum, Vienna). Dido Elizabeth Belle and Lady Elizabeth Murray by David Martin, A painting of two black children by Emma Jones, On 25 July 2019 the eighth series began broadcast.[57][58]. On view at The Met Fifth Avenue in Gallery 617. The work of individuals such as Grosvenor is, therefore, a remarkable labour to redefine paintings which have sat in archives for centuries. West Building There were four episodes in the first series, which started on 19 June 2011: The first episode of the second series was shown in the UK on 16 September 2012. 16, p. 414 (copies in NGA curatorial files). (artist) After expert treatment, the canvas revealed a dazzlingly bright image however, the removal of overpaint revealed that the sitter (George Oakley Aldrich) had been depicted with detailed scarring around his lips that of a burn. Title: Queen Henrietta Maria Artist: Anthony van Dyck (Flemish, Antwerp 1599-1641 London) Date: 1636 Medium: Oil on canvas Dimensions: 41 5/8 33 1/4 in. The latest discoveries by Mould, who appears on BBC1's Antiques Roadshow and has a record of unearthing masterpieces, have been corroborated by other Van Dyck academics. The Coronavirus pandemic disrupted the production schedule, but in September 2020 Philip Mould announced that pre-production of the ninth series had started. John Ashburnham, grandfather of the 1st Baron Ashburnham, and his wife were painted by the artist incirca 1637. The blue fabric is covered with short, diagonal strokes of lighter blue. Save 20-60% with unbeatable sales every day. [3], Fake or Fortune? Van Dyck returned to Flanders in 1627 as an artist with an international reputation. In Van Dyck, the royal couple and the English aristocracy found an artist whose gifts perfectly matched their artistic sensitivities as well as their political needs and aspirations. This took place at the time of the Thirty Years War (161848), a religious conflict between Catholic and Protestant states in central Europe. Anthony van Dyck, Charles I, before 1635, oil on canvas, 84.4 x 99.4 cm (Royal Collection Trust, London), Whatever his character failings and political misdeeds as monarch might have been, King Charles I was undoubtedly a refined individual and a great collector and connoisseur of art. This evidence is then presented to established authorities to help demonstrate the legitimacy of the work and its possible addition to the relevant catalogue raisonn. Van Dyck was born in Antwerp in 1599. She was born at the Palais du Louvre on 25 November 1609, but some historians give her a birthdate of 26 November. A child prodigy, Van Dyck began painting at just 10 years old. She bore him nine children, some of whom were to be the subjects of Van Dycks most beguiling group portraits. This had been sold at Christie's on 24 January 2012. Retrieved 12 August 2021.. The bodice and full skirt of her blue dress are trimmed with bands of gold along the hems, down the sleeves, and down the front of the skirt. His shoulder-length blond hair reaches to his wide, lacy collar. Fake or Fortune? The contents of the house were not to be inherited by any husband of Caroline, and therefore not by Joseph Damer, who died after his wife, in 1798. Henrietta Mary Wilmot, 83, of Glendale, passed away on January 21, 2019 in Glendale, AZ. | artnet News", "Sainsbury Centre for Visual Arts set to appear in the new series of the Fake or Fortune? By the 1630s, she had blossomed into a notable patron of the arts in her own right, of the visual arts and the dramatic arts, luxury goods and devotional objects, buildings and interior designs. 1991, Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on LinkedIn (Opens in new window), Start typing to see results or hit ESC to close, BREAKING: Oxford SU to remain affiliated with NUS, Motion of No Confidence in Charlie Mackintosh Ruled Invalid, Reza Pahlavi, Crown Prince of Iran, addresses the Oxford Union, Opinion: The NUS has betrayed the confidence of Students Unions again, Rewriting Roald Dahl: Dangerous Censorship Lies Elsewhere, Berlin Film Festival 2023 First Look Review Past Lives, Its clear that Governments need to govern, that people want them to govern, and that they need to make these important decisions. In Conversation with George Monbiot, As an owner, you need to be patient and build relationships with the media and the fans., The answer to bad free speech is good free speech Chancellor Lord Patten on Free Speech, the Vice Chancellor and Hong Kong. Ivory-white gloves reach back over his forearms, and the tops of his knee-high, fawn-brown boots are folded over.
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