KATE: Claire, Trust me. They then hear a. in the trees around them — some anxious music beating — the two get a good look around them, realizing it’s just the blowing wind. There are a few moments of pause in peace. Just then, we hear the crack of something moving, on an elevated bit of land behind them. Kate and Sawyer look more stunned by this. BEN: I think you do what you do best. The music tones down into a more quiet but horror-struck beat at what has just occurred. CLAIRE: I think I’d better stay away from it. I am here representing the interests of the Hanso Foundation. Walt offers his hand, and helps her stand up. In a moment, Claire is also outside following closely behind her. We at times get a sense of the remnants of technology laying through nature. ], [A clip of Kate on the Hydra beach as Claire sits], CLAIRE: Look at me! The monster almost seems to be examining the lightpost and the red flashes it clearly emits through the rain. Summary: Charlie struggles with withdrawal symptoms after giving his remaining heroin stash to John Locke. in swift manner – the figure still out of shot, to the left of the camera’s view – and she slams it against the tree trunks. LAPIDUS: Well we’re long clear of the island. Kate nods in agreement, then glances at the window again. We then see a full view of the subject’s freckled face: it is Kate Austen. at Walt. The unconscious Claire is dragged to a vehicle and loaded into the backseat. He’s gone. LAPIDUS: We’ve got storms coming in east and radio interference. ( Log Out /  Sawyer nods, but takes notice of Lapidus’ problem. The three of them hurry on down the clearest opening through the forest. A soft variation of Jacob’s theme plays. He overly forcibly grabs her by the arm and pulls her back — and with that she suddenly SNAPS. The vehicle comes closer into view, and it now appears to be a DHARMA van, and it halts and parks to a stop before them. Meanwhile, Jack and Locke reach a tentative truce over that mysterious hatch, though neither Sayid nor Walt are at peace with the pair's plans for it; and more of Kate's past is revealed after the threat of rescue pits her against an all-too-informed Sawyer. SAWYER: It ain’t right, that a corporation can just meddle in people’s lives like that. As the Monster hovers, it slowly turns left, closing in on the grouping of trees Claire is hiding in. And before we or the two castaways can give it another thought — it suddenly HALTS at the red lightpost. KATE: I just don’t like the idea of you being put in anymore harm’s way than you’ve already been. Rain pouring down, thunder roaring. So he speaks to try to relate to Walt with his own baggage: SAWYER: Look, kid – Walt. – as something suddenly emerges out of the clump of trees to Kate’s right. This visual demonstration then hits us with the revelation, as it was observed by Kate a moment ago, that, We are now in the midst of a sunny sky, hearing the engines of a plane, as the camera curves left, and that plane’s nose comes into view, the camera panning along the plane’s right side, a red stripe along its white exterior with the logo “Ajira Airways” marked near the front – it’s now clear we’re witnessing a flashback. SAWYER: Don’t worry, y’all just let me do all the talking. He scrambles to pick himself up, getting a sense of his surroundings. Richard’s expression is one of heightened alert and caution. Miles and Richard’s expressions turn to half surprised, half almost laughing. The camera shows that near by, is a clump of brown and green viney and root-like vegetation — and we can make out what appears to be a human figure laying inside under it. Just leave him there to be eaten by that thing! … I had to grow up living with that. Kate and Claire seem surprised, though maybe understanding what he means, if not entirely sure. However, Kate’s attention is distracted curiously by the metallic structure in the middle of the road. Sawyer desperately looks down into the hole. But Ben nods compliantly. A soft variation of Sawyer’s theme (1:48 – 2:02) briefly plays as Sawyer, with emotion welled in his eyes and expression, replies in a softer tone, with some guilt that has followed him for many years, that may be reminiscent of both Walt and others: SAWYER: We can’t leave the kid. Lost. So Kate and Claire take after the power line, leaving the mysterious lightpost behind, still ever flashing. … When I was a kid, my daddy shot my mom, then himself. The only creaturely sounds heard now are the ominous, exotic sounds of wild birds howling in the distance. That might be better this time. (0:22), though inverted on some beats, as Kate and Claire immediately run towards the dark forest, rain storming around them, as the sound of, They urgently pull themselves past tree after tree, stepping over roots, the storms ever raining, the continued sound of, heard behind them, and sometimes the sounds of. Claire seems to be referring to something which we the audience have not been yet made aware. A soft variation of, plays. ( Log Out /  LAPIDUS: It’s almost like… something at LAX is jamming us. Claire remembers the sense of being, The camera is now in the cabin, on Lapidus’s face as he pilots the plane, as a variation of the, We see an aerial shot of Ajira Flight 316 flying over the coastline of Los Angeles amid dark storms. The tension and music is increasingly urgent. Claire and Walt’s eyes turn more frozen in terror. …, Kate looks at him with a glint of surprise in her eyes at his anti-crime sentiment. KATE: I should have never left him on that island to die. GALEN: It’s quite obvious what really happened. He finds the discarded rifle, which he quickly grabs and picks up, and the dry bag, both of which he straps over his shoulder. The trombone piece returns, blowing a bit dramatically (like 2:29 – 2:35 from the same scene before, though a bit softer still) as the scene cuts to: Claire and Walt, running through the forest, with an anxious beat building, heavily panting as they run. We have shut off communications temporarily while the airport is shut down. I mean… it, They shake their heads. An terrible mechanical rolling sound can be heard extremely close outside, sounds familiar to both to Kate and Claire as well as to us. SAWYER: Those are the guys who funded the DHARMA Initiative back in the day. BEN: You can have mine, Kate. Claire struggles against her own will to halt herself to listen. Ahead, we see housing and farmland. Richard nods, feeling this was eventually coming. Home > The Walking Dead > The Walking Dead > Season 7 > Episode 1 « TV Season Page. ( Log Out /  …He can never hurt you again. He stands for a moment, wondering where he is, where everyone else is — and then something catches his eye. Kate looks at him with a glint of surprise in her eyes at his anti-crime sentiment. … You’re the first ones I’ve seen here. A running Kate suddenly comes upon him, and she rushes through the rain to aid him. The music blares dramatically now. The music quiets a little as Kate then comes to a stop, along with Claire thereafter. WALT: Have you seen my friend? We then cut to the two of them walking back outside across the farmland. Miles, smirking, holds up a few diamonds – Nikki and Paulo’s diamonds – in his hand, catching Sawyer by surprise. A couple of the other guards turn and start to hurry towards her. He steps away from the tree trunk, and with a light sarcasm, he greets them: BEN: Nice catching you here, too, Kate, James…. She proceeds to the door. He’s a man. Upon arriving at the location of the device, SG-1 comes under fire from Goa'uld ships. WALT: Can you get my dad here? Claire starts to shake a little, trying to get out of the trees, but Kate struggles to hold her still. We can hear the heavy, anxious breaths of the two women, concealed in the dark except for the dim dusky light outside – we the audience can see them a little clearly via the camera’s enhanced perception of light. This mechanical structure sitting upright, emitting a. through its glass every moment. They hear the soft animalistic-but-monstrous rattling noise of something approaching closely, slowly. Claire looks uncertain. MILES: Why did anyone else decide to come here? We see a shot from behind her of her standing, facing the layout of the second island before her in the background. She is now standing in front of the forest and facing towards us at the clearing while we face staring back at her with the clearing behind us. RICHARD: I think they’re coming for us, all of us. Episode 1. SAWYER: Come on, we need to go get Walt back. ” which played both times Jack first awoke – but what we’re hearing now seems to be an almost inverted version on some beats. The door opens, and Miles steps out, looking the same age he does in the present, shutting it back behind him, and he heads intently over to his destination. The first six hold 4 episodes each and the seventh holds the last episode and extras. A piece of music, low and suspenseful, but not too haunting, plays as they continue their search. Sawyer and Kate, causing them to lose their grip. This Island’s made me crazy…-. Boone: Ian Somerhalder. So buckle up tight, because we’re gonna have a bumpy return. The two pause, staring at her, but realizing she didn’t just do this for no reason. It knows she’s in there! LAPIDUS: Ladies and gentlemen, this is Captain Lapidus, and we’re now beginning our final descent into Los Angeles international airport. …We’re the last survivors of Ajira 316! to do something, he can’t just leave Walt behind down there. Miles starts to hand Sawyer his rifle, but he reaches and takes the dry bag instead. The tension and music is increasingly urgent. strikes into the power line, startling the group as a brief burst of flame erupts from it, and a couple of scorching tree branches and parts of the powerline land, drenched in the continuing rain. Lost season 7: New series is 'inevitable', says showrunner 'I can't imagine something else won't be done with the franchise.' We get a moment of the camera on each character’s face, including Kate’s relieved expression, Claire’s expression which has hints of anxiety, Sawyer looking out the window with a slight smile and nod as he is finally home at last, Miles’ smile, Richard’s face of remembrance as he recalls wanting to come here – to the New World – so long ago, and lastly Lapidus’s focused face as he begins to land the plane on the airstrip. plays for a few moments. Instead, he’s looking at something ahead. Ben reaches for the rifle, but Miles hesitates and hands him the bag instead, which Ben certainly notices. WALT: Crazy things… Crazy dreams. So Sawyer attempts to give his word of comfort: SAWYER: But you’re gonna be alright. Sawyer starts to calm his mind to think on some kind of plan of action. Ben nods, looking thoughtfully in his eyes. CLAIRE: Then how do you explain what happened last night? Captain Lapidus was not the one who piloted it, but overslept that day. Kate has a suggestion of her own, reflecting her own experiences of heavy baggage carried in lying. And then it suddenly concludes its scan, and moves to. He bends down, holding both his hands to the heads of the bodies, clenching his eyes shut. The third season continues the stories of a group of over 40 people who have been stranded on a remote island in the South Pacific, after their airplane crashed 68 days prior to the beginning of the season. Kate and Claire are both taking heavy breaths, letting the fear in. Claire also looks reminiscent. Her head is resting on a leafy surface. RICHARD: Well, they can’t stop us from landing. A variation of his mediumship theme (0:55 to 1:04) briefly plays for a few moments, as some spooky sound effects can be heard, and we see some quick shots to his hands at the bodies and quick shots to his deeply determined expression, eyes still shut. The sound of the monstrous roaring can still be heard maneuvering in the distance. Kate has a look of wondering if she should know or care who this is, while Sawyer, Miles, and Richard bare looks of more recognition, and Lapidus looks derisive. Hurley then says with a serene confidence, a smile still on his face, his uplifting “sideways” theme still playing: HURLEY: Don’t worry, guys. As the two quickly run through the rain, Kate comes to a stop close to some trees, trying to get a sense of direction in the rainforest, and Sawyer soon catches up behind her. pursuing, growing louder closing in on them, heavy rain storming around them, the music blaring with adrenaline. And so the two of them sit there in the quiet with their teas. Directed by Martin Wood. WALT: I kept hoping someday somebody would come back for me. Then Claire says in little more than a whispered shriek, heavily distraught with fear and despair in her eyes, with the sound of another tree trunk being ripped from the ground is loudly behind them, and they quickly turn behind themselves to see the tree trunk startlingly, through the shack, busting it to pieces. … Have you seen Hurley? Claire's nightmares trigger flashbacks to her split from the father of her unborn child and meetings with a scary psychic, warning of the baby's dire fate. Arzt: Daniel Roebuck. A concerned Kate quickly but gently grabs him by the arm to get his attention. We heard you came here after your grandma died. Kate and Claire walk a short ways from the shack, through the rain, a feeling of tension with each step. There is an empty, open rifle case laying near, along with another case for guns. Suspense mounts in the pilot's conclusion, which charts an adventurous foray into the isle's heights; and the lifesaving efforts of a beleaguered MD (Matthew Fox). Almost all of this show's episodes are hugely underrated. Miles glares at him, something in his eye suggesting that there is indeed something more, but he doesn’t say, as he turns and carries onward through the forest. It grabbed you too? SAWYER: Old times. ], [Jack shakes his head. … I mean temptation. The low ominous music that’s been playing softly throughout the whole scene begins to build up more dramatically, as we see a final shot of the Ajira plane, completely torn apart, its parts being rolled over and crushed. The five castaways look warily, especially as Galen’s eyes shift towards Kate in particular. of something approaching closely, slowly. She stares it down and notices that it has cords running down into the ground, powering it. plays (though with some inverted beats; and instead of Locke’s theme, a dramatic variation of Michael and Walt’s theme is heard among the blaring of danger.) The music has relaxed again. A hunt for boar to feed the starving survivors also brings a revelation about the loner named Locke (Terry O'Quinn), who confronts a terrifying behemoth roaming the jungle. The last five years are a mystery to a man and a woman. He smiles and runs to greet them, with his now deep voice: We see them greeting him back. The sound of monstrous roaring can be heard raging behind them again. DIYA: No, …I haven’t seen anyone in a while. MILES: So, Jim, what are you gonna do when you get home? Kate and Sawyer aren’t sure what to say, but try to be understanding, nodding. Sarah: Julie Bowen. The season premiered on February 2, 2010, with a double-length episode (two hours including commercials) preceded by a one-hour clip show, titled "Lost: Final Chapter". We see Kate’s face as she is standing cautiously, standing behind a tree trunk, watching something behind the camera. Rousseau: Mira Furlan. Rose: L. Scott Caldwell. The music getting heavier with anxiety. We hear another familiar haunting piece from the Pilot (0:59 – 1:27), though inverted at times as we see a few quick shots cut together of them wandering, Kate’s expression determined, Claire’s a little “spaced out”. Credit Where Credit Is Due playing. Sawyer scoffs a little. But Kate quickly urges on to the next point: She motions her head behind in the direction of the forest they just came from. We have our own assets. is immediately heard from that direction. It is in a small clearing in the middle of the forest. She pauses again and we see her standing, staring in our direction as there is a couple of flashes of something red in the camera. Kate and Sawyer’s expressions turn concerned. He smiles and runs to greet them, with his now deep voice: It’s something almost familiar, lying on its side, though the limbs of trees are obscuring it. Synopsis:As Ben slowly bleeds to death on the operating table, Sawyer and Kate find an unexpected ally in their attempt to escape the island. For now…. Furious George. TVPG. Sawyer breathes out a frustrated frown as he digs through, then hands the bag back to Miles. His name’s Hugo, or Hurley. The Monster ignores her shout, and instead pauses slowly and gazes upon Walt as he stands, frozen but defiant. But Miles and the kid are with me. We see the group become scattered as we see various shots of each character, Kate, Sawyer, Claire, Miles, Walt, running desperately through trees, hopping over tree limbs and trunks, barely being able to see through the pouring rain. All three are taken. It drags him back through the forest — until it arrives at a, in the ground — it begins to slide in — and, Sawyer and Kate yell and leap to grab Walt by the arms, holding onto him as he is barely kept on the surface. The other four follow, with varying degrees of loathing for what’s coming ahead. Best Movies & Shows on Netflix in January, Best Movies & Shows on Amazon Prime Video in January, 10 Shows Like Shameless That You Should Watch If You Like Shameless, 7 Shows Like Ozark That You Should Watch if You Like Ozark, 9 Shows Like Fleabag That You Should Watch if You Like Fleabag, Best Shows & Movies on Netflix This Month. The power cable seems to run into it. Sawyer is still looking in, shouting. The three carry on and emerge through an opening in the forest, onto what almost looks like the remnants of an old road, though with leafs and tree limbs fallen over it. Kate: Evangeline Lilly. BEN: Why did you decide to come to this island? Miles and Richard exchange apprehensive looks. Sawyer: Josh Holloway. We at times get a sense of the remnants of technology laying through nature. LEADER: So, let’s get straight to business, shall we? (Observant viewers, or viewers who take screenshots, may also notice that the sideways word in the logo is not “DHARMA” but rather a different word altogether: “SAMSARA”). CLAIRE: I sometimes wonder what it would have been like to have Jack in our life. Island 2. [A clip of Jack and the Man in Black in Locke’s form struggling on the stormy cliffside with some music from their fight scene, when Kate suddenly emerges and shoots him. She looks around, anxious and apprehensive, as the music softens momentarily. Or should I say, it is because you were Head of Security, Mr. LaFleur? MILES: You can just wipe camera recordings? SG teams 1, 3, and 5 go off-world to attempt the extraction of a newly found Ancient repository device. Kate and Claire soon follow behind them. What do we need to do? We recognize this place as the Santa Rosa Mental Health Institute. LOST season 1 episodes ranked. The Ajira Six pause, now sensing strongly that something is not right. can be heard extremely close outside, sounds familiar to both to Kate and Claire as well as to us. He’s a big guy with curly hair…. … I know it sounds crazy. She elbows him hard in the face, and he groans and tumbles back. Rain still pouring around. A backstory centers on Kate's troubled past, and her ties to criminals and violence. Kate and Sawyer’s expressions seem to mildly calm and yet still carry an old familiarity of distrust, which is clearly heard in Sawyer’s tone: Ben’s startled expression also relaxes as Kate loosens her grip a little, though he still seems wary of their air of distrust, although they are certainly not surprised to see him here on this island. We are back at LAX, now inside the actual building, observing as the security men, surrounding the handcuffed Sawyer, Kate, Lapidus, Miles, and Richard, escort them through the open rooms of the airport. Fixed iFrame Width: in pixels px Height: in pixels px. Subtitles. Suddenly, we are at the edge just outside the forest as we see her burst out of the trees, stopping before what seems to be the edge of a clearing which is mostly behind the camera’s view. Of course, we know she means the Man in Black who was in Locke’s form. She nods. SAWYER: Thought I might just relax with my settlement from Oceanic. Sawyer struggles to free his foot, and looks exasperated as Kate comes to grab it. We are then back inside the plane, as just the music continues, with the Ajira Six heading to open the exit door, as the music quiets down a bit. The rain appears to have moved away from this area. Lost Vegas. Walt thinks, determined on his next course of action. Maybe everyone else. MILES: After all these years, I really didn’t expect they would mess with us again. Claire stands smiling, though seeming a bit distant in her mental state. A soft, sentimental piece of music beats. Everyone nods in agreement, and they continue onward, as the storm starts to pour more heavily, and the music returning. LAPIDUS: But I have no idea what I’m gonna say. We hear the sound effect of. With a flash of lightning (followed shortly by thunder), the area is quickly illuminated, a large tree trunk, newly fallen, laying near the clearing. How ‘bout you, Miles? This video is currently unavailable. Emily: Swoosie Kurtz. Kate looks from the hole, then up at around the environment, so familiar of their journey years in the past. Thomas: William Mapother. He takes the extra gun out of its slot. The music relaxes into something more relieving and positive. Rain still pouring around. CLAIRE: I know he had to die. In the pilot, an MD (Matthew Fox) takes charge of the disaster stranding 48 plane-crash survivors on a Pacific isle bedeviled by a monstrous predator. . Kate maneuvers a little to get a better look out through the trees, as we can see slightly into the dark, malevolent jungle. Teen Wolf Season 7 Teen Wolf Episode1 (HD) They then hear a rustle in the trees around them — some anxious music beating — the two get a good look around them, realizing it’s just the blowing wind. CLAIRE: Do you… really think I can do this? We can hear the heavy, anxious breaths of the two women, concealed in the dark except for the dim dusky light outside – we the audience can see them a little clearly via the camera’s enhanced perception of light. [A shot of Hurley’s saddened expression. KATE: We’ve been looking too. Enter your email address to follow this blog and receive notifications of new posts by email. Shephard: John Terry. SAWYER: With what? The place looks like it hasn’t been used in years. Copy Copied! Lapidus tries to turn on the “fasten seat belt” sign for the passengers, but it’s broken and remains unlit. And Kate and Sawyer suddenly emerge through the forest onto the scene as the Monster begins dragging a yelling Walt. CLAIRE: I don’t know, but he has a better chance of surviving now. CLAIRE: It doesn’t matter so much to me anymore. Then Walt dashes bravely out of his hiding spot, out to the clearing, whistling like calling a dog, and shouting: He hops and waves his arms, as the Monster turns its direction around to face him. What are you doing with that? She urgently pulls at his boot in the mud — the. Special Guest Star Jeff Fahey. We at last see them come to a halt. The camera continues to pan along the side of the plane, the Oceanic Six theme softly building, until the camera zooms into one of the windows, a subdued ratty-haired Claire Littleton and a hopeful Kate both seated and staring out. Later at dusk, the two are still at the shack, waiting to see if anyone will arrive. KATE: I always followed him. 1 /1 Lost season 7: New series is 'inevitable', says showrunner. What is he thinking?! Captain Lapidus was not the one who piloted it, but overslept that day. I’ve got a plan. Claire nods, and smiles, glad for her confidence. Each of the castaways is seated in a chair, with an enforcer or two standing behind each. SAWYER: We can’t get in contact. We see they are in an open room, a comfortable if dull lounge with several troubled individuals wandering about. Claire nods. Kate and Lapidus have a look as to thinking on what to make of this connection. Season 5 Episode 1 43m. None of the men answer him as they approach them. With a few more moments passed in remembrance, Kate finally picks herself up again, determined to continue the search. KATE: -…you’re not alone. Come on, let’s go. …Whatever that thing was, it’s not him. I know it’s been. The music turns silent again. KATE: So what if we don’t agree to lie for you? And then the head-like lump of smoke seems to retract inward and in the opposite direction, as the monster reverses its course away from the red lightpost, and therefore thankfully away from Kate and Sawyer, who still watch on with horrified but relieved expressions, catching their breaths. Kate bends over to her as she is groaning a little, beginning to regain consciousness. She raises a hand to stop Claire from moving further past her. Except that one time. He points around at them. Miles and Richard stand bewildered, looking at him wondering what his plan could be. Kate accompanies him on the search for a creature he believes has it in for him. ], [A clip of Kate, Claire, Sawyer, and Miles’ expressions each in reaction to the plane lifting off. Kate finds a group of trees closely clumped together, and Kate quickly grabs Claire’s arm and pulls her with her into the clump of trees to hide inside. A darker variation of Michael and Walt’s theme begins. Kate realizes she is talking about the Man in Black, as we hear a slight haunting piece of music. Claire groggily forces her eyes open, taking in the light, as she mumbles. The smoke monster hovers in place for a few long moments in the rain, a lump of smoke in the front like a head seemingly staring forward, with a soft cacophony of mechanical and animalistic sounds, as we see a quick shot of Kate and Sawyer’s petrified and bewildered expressions, and then a brief shot of the continuing red flashes from the lightpost. We then see the second castaway, who takes us by surprise: dressed in a white shirt and blue jeans, it’s Walt — and he’s an adult!! A minor surprise to her as she is ultimately indifferent to what she sees, but a larger surprise to us: the camera pulls away from where Kate is standing and turns out to face the clearing, so we may see what she is seeing, with a musical horn getting steadily louder until at last we see it. SAWYER: I dunno. We see several shots of Kate and Sawyer desperately scrambling through the forest, the ticking and clicking and groaning pursuing, growing louder closing in on them, heavy rain storming around them, the music blaring with adrenaline. The two stand anxiously, the light from the vehicle already shining on them, the two of them prepared to run at any given moment. Susan: Tamara Taylor. My brother. [Some soft, sentimental music of “Parting Words” playing. Sawyer remarks with exasperation under his breath: SAWYER: Better pray someone helps that kid. She steps outside, quietly stepping, almost tip-toeing. Kilo: Billy Mayo. First Aired: March 19, 2004. But Sawyer’s expression is one more of concern than anything. As Sawyer goes to take a seat, the camera goes back on Claire and Kate who are seated next to each other. Season 1 "The Moth" 1x7 Aired 15 years ago - Nov 03, 2004 Charlie begins a painful journey of withdrawal from drugs, surprisingly aided by Locke, whose true motive for helping Charlie is a mystery. GALEN: Then… we will release records to law enforcement implicating the involvement of all of you. She only knew that the Man in Black had succeeded in killing some of them at the submarine. This airport’s government property. He feels he’s. Claire: Emilie de Ravin. As Miles walks across the lovely green farmland, a soft variation of. And then he stayed behind to try to stop the Island from sinking. Lost Vegas. She is looking on through the window at the dark storms outside. KATE: They’re not exactly alike. We see momentary shots of them stepping over tree roots, stepping through tree trunks, trying to make their way through the forest, unable to see much. But we don’t see the ocean. An ominous piece of music plays. 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