There are portions of some others. Looking at it now, it has a Fantasia/Make Mine Music/Silly Symphony feel to it, but a better understanding the effort makes it worth a great deal more attention, especially if Ising truly inverted the process for Bradley. - Share your reason with the rest of the community. I didn’t know he worked with a smaller ensemble than Warner Bros. did, but that would explain why his scores tend to have a thinner sound to them than Carl Stalling’s and, to a lesser extent, Milt Franklyn (I believe the latter also had a reduced orchestra around the early ’60s, right?). So the premise is very cartoony and slapsticky, yet Bradley plays ‘You’re a Sweetheart’ behind it. Bill Thompson, Tex Avery are the voices of Droopy in Droopy. Directed by Michael Lah. Voices: Daws Butler, Bill Thompson, Joe Triscari. Only about half of The Three Little Pups survived the approval process, but along with Drip-A-Long Droopy, it was never released on CD other than on this album. All may not be lost. It’s sort of a swing arrangement but beautifully orchestrated with these sweet strings that Scott Bradley weaves through it. Using an eye massager is one of the most effective ways to deal with these issues, and it can help improve the look of the skin under your eyes, too. Additional Images: Michael Barrier, Bob Burns, Photofest. Oh, I can go on and on and on about those classic toons and tunes. I hope they will arrange, perform and record more of Bradley’s MGM music; whether they ever do remains to be seen. Voice Actors [22] In a survey, Lavi was voted as the 4th best character voiced by Suzumura. There are only minimal sound effects and they don’t distract from the intensity of the scoring here, including the strings representing the wind whipping up and causing the flower ballerina to stumble into dangerous territory. Of course, Carl Stalling had the whole Warner Brothers orchestra with about 40 pieces. If you’re looking for some nice long melodies, that ain’t gonna happen. It was created by Alex Waterston together with Jon Brodsky and Yann Seznec from Lucky Frame. Like Carl Stalling, who was uncredited for the coffee billboard sequence in the 1945 Jack Benny classic The Horn Blows at Midnight, Bradley scored forest and animal scenes in MGM’s Courage of Lassie (1946) and of course, Tom and Jerry’s swim with Esther Williams in 1953’s Dangerous When Wet. Bringing such classic material to audio is just as challenging as bringing to video. Music from the Tex Avery Original Soundtracks Gershwin made his fortune composing musical comedies, which MGM cartoons are all about. Thanks again for this great post. His use of Rossini’s pieces in “KITTY FOILED” is unique and, I’d dare say, more interesting than Carl Stalling’s use of the same piece in “RABBIT OF SEVILLE”, especially the nicely timed bit in which Tom ties Jerry to the tracks. You can even hear in the two Droopy soundtracks, which use virtually the same tunes, what Avery wanted from Bradley. When I first saw that video I was enthralled. Mr Groh, I am writing here as I could not reply to your other post further down. It could conceivably be reconstructed: I have written arrangements of cartoon music cues (mostly by Stalling, but also by Japanese anime composers Masaki Kurihara and Satoru Kousaki) by transcribing them by ear from the soundtrack, using a lot of pause/play. Number of Comparisons: 15. The John Wilson Orchestra can perform it to its heart’s content, but as soon as they start making money from it they’ll find themselves confronted by an army of entertainment industry attorneys.